Acrylics and oil markers on canvas
14 × 14 × 0.5 in
2018
This series explores how simple marks can generate complex visual worlds. Through the repetition of dots and elongated strokes, each painting grows organically, revealing rhythms, structures, and relationships that emerge over time. The works invite viewers to look closely and discover movement within stillness.
In The Cinematographer, clusters of colored marks spread across the surface like fragments of light captured on film. Bright yellows, deep reds, blacks, and whites interact against a luminous blue field, creating a sense of motion and unfolding narrative. The composition feels both microscopic and cosmic, as if observing particles in motion or scenes passing through a projector.
The painting is inspired by the idea of seeing and recording. The marks resemble visual impressions gathered from different moments, assembled into a larger whole. Each cluster contributes its own rhythm while remaining connected to the surrounding forms, creating a dynamic balance between detail and unity.
Rather than depicting a literal subject, The Cinematographer reflects on perception itself. It celebrates the act of looking closely, finding meaning in fragments, and transforming countless small observations into a vibrant and coherent vision. Through color, repetition, and movement, the work becomes a meditation on how we construct stories from the images that surround us.
Acrylics and oil markers on canvas
14 × 14 × 0.5 in
2018
This series explores how simple marks can generate complex visual worlds. Through the repetition of dots and elongated strokes, each painting grows organically, revealing rhythms, structures, and relationships that emerge over time. The works invite viewers to look closely and discover movement within stillness.
In The Cinematographer, clusters of colored marks spread across the surface like fragments of light captured on film. Bright yellows, deep reds, blacks, and whites interact against a luminous blue field, creating a sense of motion and unfolding narrative. The composition feels both microscopic and cosmic, as if observing particles in motion or scenes passing through a projector.
The painting is inspired by the idea of seeing and recording. The marks resemble visual impressions gathered from different moments, assembled into a larger whole. Each cluster contributes its own rhythm while remaining connected to the surrounding forms, creating a dynamic balance between detail and unity.
Rather than depicting a literal subject, The Cinematographer reflects on perception itself. It celebrates the act of looking closely, finding meaning in fragments, and transforming countless small observations into a vibrant and coherent vision. Through color, repetition, and movement, the work becomes a meditation on how we construct stories from the images that surround us.
